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The updated 2nd Edition of the Justinguitar.com Beginner's Songbook is now spiral bound for easy reading and page turns, while remaining the same compact size for jamming on the go.

Established as the ultimate songbook available for beginners, the Justinguitar.com Beginner's Songbook - 2nd Edition is the perfect complement for Justin Sandercoe s revolutionary online lessons which are used by hundreds of thousands of people across the world. Now you can learn to play 100 classic songs as your playing develops through the course.

The book includes: Complete lyrics and chords to 100 songs by artists such as The Beatles, Bob Dylan, Bob Marley, Eric Clapton, Jimi Hendrix, Johnny Cash, Simon & Garfunkel, Jeff Buckley, Crowded House, Mumford & Sons, Kings of Leon, Nirvana and many more.

There are 10 songs for each stage of the Beginner s Course, building up from easy three-chord songs through to more advanced tunes.

Tuition notes for each song by Justin advising you on strumming patterns and chord changes, with diagrams to illustrate all the chord shapes you need.

• Sales Rank: #30747 in Books
• Published on: 2014-11-20
• Original language: English
• Number of items: 1
• Dimensions: 6.65" h x .51" w x 9.72" l,
• Binding: Spiral-bound
• 224 pages

Most helpful customer reviews

63 of 64 people found the following review helpful.
A great help!
By Young at heart
I decided to learn guitar at the young age of 70. I discovered Justin's site on the internet and have been working my way (slowly) through his beginner's course. I was frustrated at not being able to find good sheet music for the songs in his course. His book, Beginner's Songbook, is excellent. It gives you more help than any other source I have found. I would recommend it to anyone trying to learn to play the guitar.

21 of 21 people found the following review helpful.
Required supplement for any beginner
By Pushpin
I am more of a fingerstyle guitarist so I prefer to devote more of my practice time on that rather than strumming. However, I don't want to neglect that skill or at least the ability to strum out some singalong tunes if the occasion calls for it.
Justin's Beginner's Songbook is the perfect tool to help me practice strumming patterns while learning some singalong tunes.

Contrary to some other reviewers of this book, I like the book's set-up. New chords are given at the beginning at each stage only. There isn't a section that gives you chord diagrams so it forces you to memorize chord diagrams as you progress through the book rather than rely on convenient chord diagrams above every lyric. It isn't a chord reference book so if you're looking for that, there are plenty of cheap ones on Amazon or even free on the internet.

The chord name is given above the words of the lyrics and on the corresponding page Justin gives his recommended strumming pattern as well as some tips and trivia. There are other chord strum-a-long books out there but most of them usually just give the chords and the lyrics and not much else. You definitely get a bit more with this book. That being said, if you are familiar with Justin's videos, there really isn't anything new in the book from what he says/does in his videos. So if you are looking for something new, you may be disappointed. I purchased this mainly because I am a visual learner and seeing strumming patterns and lyrics right in front of me makes learning a lot easier (as opposed to watching Justin's videos over and over again). If you have surpassed the beginner level in Justin's guitar course, I'd recommend skipping this.

The song selection is great! With 100 songs, there is something for everyone across every skill level. Artists like Taylor Swift, Eric Clapton, Otis Redding, Don MacLean, Bob Marley and Johnny Cash are represented in the selection.

I definitely recommend using this book with Justin's free online videos on YouTube or on his website as it gives the book's lessons more context.

I ordered this book through a third-party seller supposedly located in Indiana, USA. Dispatch was quick but it took a while to arrive because it actually was shipped from overseas. As of this writing, Amazon doesn't offer this title directly but don't let that stop you.

Highly recommended for beginners really looking to develop their skills and creativity.

5 of 5 people found the following review helpful.
Don't want to gush, but....
By yb
This songbook is most helpful as you take his online course, but I'm sure it would be helpful even if you aren't.
When you get a good teacher like Justin, you realize how many mediocre-or even bad ones you have had to endure.
The book has the lyrics and music (guitar chords) along with suggested strumming patterns. You also get his help online on his website, justinguitar.com, or on You tube. He plays the songs on video where you can play along with him.
I get the feeling that I have a personal teacher who cares, (he has a friendly manner) is organized, never patronizing, doesn't skip steps, and has had years of musical training and experience.
It probably doesn't hurt that he lives and works in one of the musical capitals of the world-London.
Some of the songs I didn't know such as Lennon's "Working Class Hero" and "Common People" by the Pulp. I enjoyed reading the lyrics which weren't the usual love songs. They tell an interesting story and have social significance. However, there are more "popular" songs too. Enough songs to keep you going and interested.
If a beginner like me without a good musical education, your musical terminology will improve as you start each song. For example,in the first songs you are introduced to the use of capos and what off-beats are.
The book is more than a book, it's a musical journey. One that is just right-not too easy-or too hard. You can do it, but you grow as you keep learning and trying.
There is a forum on his site where he answers questions and other learners share their experiences playing the songs. Also where he didn't play a song, I found a student of his playing the song on You tube, and it helped me a lot. Where else do you get a songbook and a free forum (a community of people like yourself) asking questions, sharing difficulties and getting advice from Justin and the other guitar learners?

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In The Collaborative Leader, L. Michael Hall and Ian McDermott answer key questions about leadership. What is collaboration? How does it relate to leadership? How do you do it effectively? How do you pull people together, inspire them with a meaningful vision, and organise them so that a team spirit emerges and peak performance is achieved?

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The foundation of collaborative leadership is self-collaboration. The leader who cannot effectively collaborate cannot effectively lead. If you are to walk your talk, you need to demonstrate collaborative skills yourself, and this book will show you the how to s for developing the critical success elements of leadership. The best collaborators are those who have lots of fun collaborating. The goal can be serious. The collaboration can be fun. Learn how it s possible by understanding the structure and processes of collaboration.

Whether you re responsible for team or organisational development, you ll find plenty here to inspire you to transform your leadership into collaborative leadership.

Chapters include:

Part I: The Foundations of Collaborative Leadership Leading the Call

1. The Vision Why Bother?

2. The Mirror Where Are You?

3. What Is a Collaborative Leader?

4. Challenges To Collaborative Leadership

Part II: Collaborative Leadership The How To

5. The Collaborative Pathway How Do We Get There?

6. Calling For and Inspiring Collaboration Inviting Others

7. Choosing To Collaborate Making the Decision

8. Creating a Culture of Collaboration Collaboration Inside Out

9. Combining Differences For Synergy Welcoming and Integrating

10. Integrating Self and Others The Collaborative Quadrants

11. Believing In Collaboration

12 The Principles of Collaboration

13. The Bigger Game of Collaboration

14. The States of Collaboration

15. The Call To Be a Collaborative Leader

Part III: Collaborative Leadership Challenges There Be Dragons!

16. How Collaborations Can Go Wrong

17. Pseudo-Collaboration The Talk Without the Walk

18. Collaboration In Crisis

• Sales Rank: #1903707 in Books
• Published on: 2016-11-17
• Original language: English
• Number of items: 1
• Dimensions: 5.55" h x .79" w x 8.54" l, .0 pounds
• Binding: Paperback
• 208 pages

About the Author
Ian McDermott has worked with hundreds of organisations and thousands of professionals globally over the past 30 years. He is the Founder of International Teaching Seminars (ITS) and the author of fifteen books on NLP, coaching and systems thinking. L. Michael Hall is a Cognitive Psychologist who through research into NLP and Self-Actualization Psychology is now a modeler of human excellence; he has completed 15 modeling projects from Resilience, Women in Leadership, Self-Actualization, Coaching, Self-Actualizing Leaders, Managers, and Companies, Selling, Defusing, Wealth Creation, etc. He has authored 40 NLP books and a series on Meta-Coaching. Michael co-founded the ISNS (International Society of Neuro-Semantics) and the MCF (Meta-Coaching Foundation) and is an internationally renowned trainer.

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• Sales Rank: #12906807 in Books
• Published on: 2008
• Original language: English
• Dimensions: .0" h x .0" w x .0" l, 1.10 pounds
• Binding: Paperback

Most helpful customer reviews

3 of 3 people found the following review helpful.
Helpful for Excel, but less general use knowledge
By Anonymous Customer
As a positive, this did provide a good level beyond "back of the envelope" calculations for Excel, which is commonly available, so that was somewhat useful. However, for general conceptual modeling (ie, visualizing it), it spoke more of modeling as being a fluid art (which I agree with) but didn't offer much in the way beyond a few quips of what experienced modelers do. I think this makes it predominantly task-oriented, which can be taken either as positive or negative depending on your needs. In any case, I think this should be seen as a supplementing skill rather than a standalone source.

Very little background should be necessary beyond the ability to understand basic equations. Excel does the math for you.

1 of 1 people found the following review helpful.
Textbook is too verbose and work problems are overly complicated
By Geekcheck
This textbook was required for a Information Systems class in Decision Modeling and both the students and the professor found it difficult to read. The problem lies in the author's habit of over-explaining simple concepts and deluging the reader with "fluff" information. This is especially true, when it comes to the work problems which usually lead off with information that doesn't relate to the important material needed to perform the calculations.

This is one of the few times, where too much information is a bad thing. The first two chapters of the book are probably the best as they explain how decision modeling is an "art form" and something that is more conceptually-based and uses Excel as a way to express itself. Unfortunately, the author quickly forgets this after Chapter 3 and dives headfirst into complex work problems, as if the reader has advanced knowledge of these concepts and a mastery of Excel.

The book seems to be designed for those who have more than a general knowledge of Excel and decision modeling. But as a teaching reference it is a poor choice for students.

0 of 0 people found the following review helpful.
excellent and to the point.
By Zephyr
I purchased this book for the Solver discussion. Solver is the optimization tool that many Excel users don't understand or use. I really came to appreciate Solver in school, but lost track of the textbook. I purchased this as a substitution and was not disappointed. Although I used a different textbook in school, I found this one to be straightforward. The user should have no trouble understanding and formulating their own models regardless of whether they are using it as a reference or as a textbook.

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• Sales Rank: #15338557 in Books
• Published on: 1983
• Binding: Paperback
• 1990 pages

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• Published on: 1709
• Binding: Paperback

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In this remarkable book, Barbara Freese takes us on a rich historical journey that begins hundreds of millions of years ago and spans the globe. Prized as “the best stone in Britain” by Roman invaders who carved jewelry out of it, coal has transformed societies, launched empires, and expanded frontiers. It made China an eleventh-century superpower, inspired the Communist Manifesto, and helped the North win the American Civil War. Yet coal’s transformative power has come at tremendous cost, from the blackening of our lungs and skies, to the perils of mining, to global warming. Now updated with a new chapter describing the high-stakes conflict between coal’s defenders and those working to preserve a livable climate, Coal offers a captivating history of the mineral that helped build the modern world but now endangers our future.

• Sales Rank: #530075 in Books
• Published on: 2016-02-09
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x 1.10" w x 5.40" l, .90 pounds
• Binding: Paperback
• 384 pages

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1 of 1 people found the following review helpful.
Excellent overview on the historical importance of coal
By George Fulmore
For those interested in world history, this book fills in many blanks. It is a pleasurable read, full of innumerable factoids and insights about how coal has affected human history. It also adds information about the transition from England to the U.S., one that involves coal, wood and the increasing thrust for power. I've read other books on coal. I don't think that there is a better one than this one.

Things really start with the Chinese, but that is disclosed in a later chapter of the book. For the most part, the book focuses on Britain, then the United States. It tells us that the Romans did a bit of burning coal in Britain, but after they left, centuries of the Dark Ages recorded no further progress. But when England awakes by the 1500s, and begins to burn through most of its wood, and as it adds more and more people, it becomes the first western nation to mine and burn coal in large quantities. This, of course, eventually leads to "a coal-fired industrial revolution."

Interestingly, most of the coal land in England early on was owned by the Catholic Church. But as most coal on the surface was gathered, and getting to the stuff deeper in the ground required a more extensive operation, The Church was not really up to the task. When Henry VIII decided to become the head of the Church of England, that really freed things up. The richest coal lands in the country now became property of the crown. English merchants and industrialists took over from there.

By 1700, the city of Newcastle, in northeastern England, had been producing coal for more than a century. Expanding mines would produce more coal than ever, as rural immigrants came to the area for work. The book paints a horrible picture of the life of the coal miners, who worked in cramped, dark, cold and wet, underground conditions. Tunnels collapsed, explosions occurred, water rushed into the mines, poisonous gas would kill. But the Newcastle coal mines were thought to be inexhaustible, and, per the book, "by 1700, Britain was mining five times more coal than the rest of the world, combined." The demand for it was becoming insatiable.

As the mine shafts and tunnels went deeper underground, water entered and needed to be extracted. This was a tedious task, first done by manpower, then by horsepower. But what got things turned around was the invention of the steam engine.

By the 1760s, steam engines, fueled by coal, itself, were doing the work of fifty horses, each, pumping water out of coal mines all over England and Scotland. Then, James Watt came along to improve the fuel efficiency of the pumps and their horsepower. His engines were suitable, as well, for factories. Between 1780 and 1830, people would move in droves to the cities to join the industrial workforce. Britain was producing 80% of the world's coal, and the epicenter of its output was to become Manchester, with its production of cotton cloth and other finished goods.
Coal was the base of things. It supplied all the fuel for the factories. It was used in the homes for heat, and it was used for cooking, as well. Manchester had factories with more than a thousand workers, each, and the steam engine encouraged increasingly larger economies of scale. Additionally, heated or baked coal was the source of gas lighting, with the gas being piped to the factories to supply bright lighting. The shifts in the mines were twelve hours. There was no place for public parks or recreation areas in Newcastle or Manchester. The air of the cities was thick with smoke. The average life expectancy was only seventeen years.

Coal also fueled the steam engines on the ships that moved coal from its source to the factories. Canals were built, then, eventually, came the railroads. It was all about the movement of coal to the factories. The city of London developed into the hub of Britain's industrial output.
With the population of London going from about 200,000 in 1600 to one million in 1800, it had become the largest city in the world by 1750. It became ten times larger than Manchester. By 1860, it would house three million. But like Manchester, the air of London was foul, with smoke and dust everywhere.

Then came the opportunities of a new land. Masses of British workers saw their escape from the crowded slums of Manchester and London via a voyage across the Atlantic to a land of fresh air and free land. In fact, when arriving in American, the colonists found an endless supply of lumber. This would serve as an early export product on the immigrant ships returning to England, where wood continued to be in short supply. The colonists had no need to search for coal, but, in time, the new nation would realize that below its land was the largest concentrations of coal in the world.

Just as coal fueled the British industrial revolution, so it would in America. The state of Pennsylvania was full of the stuff, as were the Appalachians to the south. The city of Philadelphia would become the nation's largest and richest city. And, just as had been the case in England, the supply of wood would be tested and reduced. With the price of wood rising, Americans turned more and more to coal as a source for power and heat. Canals were built, and the railroads, which first burned wood, made their transition to coal. Huge factories developed, and the population began to shift from small towns to urban centers. Again, the pattern was similar to that of England.

American's second industrial revolution was built on coal. By the late 1890s, America led the world in coal production. (Recently, China has gained this honor.) Britain and Germany fell behind. Few could imagine that progress in the world was not dependent on coal.
The book covers the developments of coal in the world wars, and it tells us of the beginnings of the use of petroleum products. It covers the problems caused by sulfur dioxide and the industry's efforts to reject regulations. But it reminds us that, even today, coal is responsible for the production of half of our nation's electricity. And it tells us of the shift in the major source of America's coal from West Virginia to Wyoming.

There is a chapter on the history of coal in China. Then, the book ends with a summary/review chapter, named, "A Burning Legacy." Again, it tells us that coal took Britain from a rural nation to a world-class commercial power. It made London the largest city in the world. The steam engine and the railway expanded things, as coal provided cheap iron and steel for all kinds of things that advanced the western world.

"Coal, A Human History." I recommend it.

0 of 0 people found the following review helpful.
Take your lumps!
By S. Rogers
As with most of my reviews I get about a third or halfway through a book and declare it one the best books I could imagine reading; 'Coal: A Human History' is no exception. Just the sheer background of info starting with its formation, discovery and industrialization make it a book not to be put down or taken lightly. The ancillary history lessons one gets from reading 'one subject' books like these are just priceless, in my opinion. The Industrial Revolutions of both England and the U.S. dependencies on coal are explored here in pretty good detail to my liking. At these affordable prices you should pick up a copy of 'Coal' to see for yourself. Barbara Freese has done a very good thing here.

1 of 1 people found the following review helpful.
Excellent research, reasoning - not flashy, very solid
By Roger D. Curry
There is much less advocacy here than in (the terrible) Coal River or (the good) Moving Mountains, but just as much information, both scientific and historical, primarily the latter. Freese is a former assistant attorney general of Minnesota who reasons rather than assails. She reasons (correctly, I believe) that we humans use energy from the sun to function. "Life on earth is, in short, a vast and sophisticated system for capturing, converting, storing and moving solar energy." As a nascent civilization developed, humans used solar-source energy stored in recently dead plants and animals to power their lives. Those resources limit the population that the earth can support. For example, a small cabin in a temperate climate (like that of West Virginia) uses about 15 cords of firewood per year, which is the output of just under an acre. (One cord equals 128 cubic feet.) In England, where coal was first mined, the forests were vanishing at an alarming rate. Up to that point, we were "spending the interest," the current solar energy converted.

And then came coal, solar-source energy from long-dead plants which had stored energy collected over millions of years, and which let us begin profligately spending the principal. There was (and is) so much coal that until the mid-20th Century, it was considered functionally infinite. Even the oil industry was made possible with the power of coal. The dependence on coal is alarming - fully half of the electricity that we use comes from coal. The environmental effects have crept up to an alarming point. On an average day in the Eastern United States, you can see fourteen miles, due to tiny sulfate particulates that scatter sunlight. Without human-made air pollution, you could see forty-five-plus miles.

Freese discusses fairly the dispute about mountain top/valley fill mining, that it is "pitting those who want to hang on to dwindling coal jobs against those who hate to see their mountains and valleys forever altered."

Whether you are a conservationist, an industrialist, or both, if you believe in Vince Lombardi's "back to basics" approach, this book has great value.

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Brian De Palma (b. 1940) isn't your average Hollywood director.

For years he reigned as the "master of the macabre," the man who massacred the class of '76 in Carrie and stalked Angie Dickinson in Dressed to Kill. By the mid-1980s De Palma found himself assaulting his audience and critics, daring them to watch a chainsaw enter a man's skull in Scarface and a power drill disembowel a defenseless woman in Body Double.

What drove De Palma to such extremes? In the late 1960s, he wanted to be the next Jean-Luc Godard and revolutionize American cinema. Instead, he found himself ostracized when Warner Bros. removed him from Get to Know Your Rabbit, his first Hollywood feature. De Palma sought the refuge of Alfred Hitchcock until the late 1970s (Sisters, Obsession), when his surreal approach to horror became a genre unto itself (Carrie, The Fury, Dressed to Kill). Ironically, just as De Palma achieved the success that his fellow Movie Brats George Lucas, Martin Scorsese, and Steven Spielberg had enjoyed since the mid-1970s, he could not hide his resentment toward Hollywood. After battling with the MPAA in the 1980s, he gradually became part of the mainstream with the success of The Untouchables and Mission: Impossible, although he never suppressed his desire to make audiences aware of his camera-eye and his dark, penetrating worldview.

Brian De Palma: Interviews follows De Palma's fortunes as he makes the difficult transition from underground filmmaker to celebrity auteur. In profiles and q&a interviews, he emerges as a fascinating figure of excess and ambivalence. De Palma is not afraid to share his opinions about censorship, violence, feminism, American culture, and the fate of cinema in the twenty-first century.

• Sales Rank: #1176263 in Books
• Brand: Brand: University Press of Mississippi
• Published on: 2003-01-02
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .53" w x 5.98" l, .81 pounds
• Binding: Paperback
• 197 pages

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• Used Book in Good Condition

From Booklist
Although he will probably forever be most closely associated with the horror movies Carrie and The Fury, which put him on Hollywood's map, DePalma started out as a Godard-wanna-be in Greetings and Hi Mom, low-budget, politically conscious films starring a young Robert DeNiro, and has since directed everything from by-the-numbers blockbusters (Mission: Impossible) to bloated gangster flicks (Scarface, The Untouchables). Despite his eclecticism, he remains tainted by his reputation for violent misogyny (he cast his then-wife, Nancy Allen, as a prostitute in three consecutive films), the blatant Hitchcock rip-offs that characterized his early work, and the notorious megaflop Bonfire of the Vanities, which derailed his career in the early '90s. These 19 interviews, drawn from major publications such as the New York Times and Esquire, specialty film publications, and even Web sites, don't shy away from the controversies surrounding DePalma's work. By turns evasive and confessional, the director voices his bitterness about Hollywood despite the fact that he has played the system cannily, making commercial blockbusters to get the green light for smaller, self-written efforts. Gordon Flagg
Copyright © American Library Association. All rights reserved

From the Inside Flap
Profiles and q & a interviews which follow De Palma’s fortunes as he makes the transition from underground filmmaker to celebrity auteur

About the Author

Laurence F. Knapp, an instructor of film studies at Northwestern University, is the author of Directed by Clint Eastwood.

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2 of 2 people found the following review helpful.
Interviews to Kill
By Richard Harborough
This collection of interviews of Brian De Palma, the celebrated filmmaker, reads as an insightful window into the world of filmmaking--not only in the 1970's and 80's, but up till the 2000's where many view his film career to have reached a lull (some consider it to have occurred before this date). However, that is not a detriment with this collection, in fact I found that the book was great, going from interview to interview, each conducted as a new film was coming out (i.e., one for Sisters, one for Phantom of the Paradise, one for Carrie..so on and so forth).

While this book may seem dated since it's last interview was around the time Mission to Mars debuted, it really isn't. Look at Truffaut's interviews with Hitchcock, as relevant as ever. However, if you are looking for a newer interview with the great De Palma, you can purchase the Criterion's DVD or BluRay copy of De Palma's masterpiece, Blow Out, which includes an hour long interview conducted by Noah Baumbach recorded in 2010 or 2011, which serves as nice companion piece to this collection.

I enjoyed reading this, and if you love the films of De Palma...or even if you don't, it will give you perhaps a better understanding of who the man is and the way he thinks. I recommend this book. Highly.

0 of 0 people found the following review helpful.
Great collection of interviews
By Alonso Varas
Brian de Palma is my favorite director and this book reprints several interviews done at different points of his career. He comes off, not surprisingly, as a very intelligent man and offers insightful remarks about his movies, directing, and cinematic art in general. It's interesting to see how his perspective over some of his films varies throughout the years. Recommended to all fans. Also, I can say the only other book I've read about De Palma with similar quality to this one is the interviews by Blumenfeld & Vauchaud, which you should also get.

0 of 0 people found the following review helpful.
A fine collection of conversations with De Palma
By Umberto Borgia
This is an excellent survey of interviews with De Palma over the years, and they prove a helpful guide for navigating his cinema and his interests (no wonder that Chris Dumas' UN-AMERICAN PSYCHO is so beholden to these interviews). A must-read for any De Palma fan.

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