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Readers will find here a rich and reflective representation of Iceland and Icelanders today. Kristen Hastrup not only draws on extensive first-hand research of Iceland, she also relies on her own theory of what anthropology is and should be in fully documenting this place and its people. In two previous books, Hastrup studied the processes and patterns that shaped Icelandic society from medieval times to the nineteenth century. In these pages, she updates this record by giving us a view of contemporary Iceland from within the landscape. Hastrup also traces key resonances from Icelandic history as encountered today. Many images of Icelandicness are examined, with an emphasis on how such images relate to local social experience. The book seeks to convey how the villagers of Iceland understand their world, to show readers the Icelandic viewpoint from the inside out, and to give a unique portrait of a unique country.

• Sales Rank: #4538579 in Books
• Published on: 1998-09-24
• Original language: English
• Dimensions: 9.30" h x .80" w x 6.20" l, 1.24 pounds
• Binding: Hardcover
• 240 pages

Review
`she convincingly argues that much of her material suggest that Icelanders have tradtionally refused to separate myth and history, pointing out that such a position is summarised in the concept of saga. Second, the chapter on landscape provides an excellent analysis of the phenomenology of spatial relations and Icelanders' attachment to both land and sea. Finally, Hastrup's portrayal of the food ritual called porrablot as a kind of Babette's Feast is both entertaining and perceptive.' Gisli Palsson, Social Anthropology, Vol.8/1.

`This book has much to offer to students of Iceland, ethnographic practice and anthropological theory. A place apart is, in my view, the best volume in Hastrup's triology on Iceland and anthropology. Her theorising is not only more mature, coherent and humanistic than in her earlier volumes, it is blended with perceptive ethnographic observations and analyses in language that is generally clear and accesssible.' Gisli Palsson, Social Anthropology, Vol.8/1.

When Hastrup actually writes about the Icelandic world ... she produces real insights into the ways in which Icelanders conceptualize themselves and their land. - Carolyne Larrington. Times Literary Supplement. 8/1/1999

`an interesting study... gives food for thought.' Regis Boyer, European Review, Vol.8, No.1, 2000

About the Author
Kirsten Hastrup is a Professor of Anthropology at University of Copenhagen.

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• Sales Rank: #5845170 in Books
• Published on: 1968
• Binding: Hardcover
• 783 pages

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• Sales Rank: #603004 in Books
• Published on: 2014-06-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .60" w x 7.40" l, .0 pounds
• Binding: Paperback
• 120 pages

Most helpful customer reviews

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Published in cooperation with the American College of Sports Medicine, The Exercise Professional’s Guide to Optimizing Health enables you to design and implement exercise programs based on the latest research to help people avoid the onset of chronic disease. Moreover, it shows you how to design exercise programs so that people with chronic disease can safely benefit from exercise.

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• Sales Rank: #179758 in Books
• Brand: Brand: Lippincott Williams Wilkins
• Published on: 2011-02-08
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 7.00" w x .50" l, 1.14 pounds
• Binding: Paperback
• 288 pages

Features

• Used Book in Good Condition

About the Author

Jeffrey L. Roitman, EdD, FACSM. Associate Professor and Chair of the Department of Exercise and Sports Science, Rockhurst University, Kansas City. Former Director of Cardiac Rehabilitation at Research Medical Center in Kansas City, MO.

Tom LaFontaine, PhD, ACSM RCEP, NSCA-CPT, FACSM, FAACVPR. Clinical Exercise Physiologist, Optimus: The Center for Health, Columbia, MO; PREVENT Consulting Services, LLC; Dept of Nutrition and Dept of Exercise Physiology, University of Missouri-Columbia.

 

 

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Easy to understand.
I really recommend this book. Thanks

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An exciting monograph dedicated to an extraordinary figure and one of last century’s most famous and influential artists. Man Ray (1890-1976) was a photographer, painter, and creator of objects, experimental films, and images which were at times enigmatic. This catalog, which presents more than 200 works and compares and contrasts images with biographical details, is divided into three main sections: Man Ray’s formative years spent between New York and an artists’ colony in Ridgefield, New Jersey; the Paris period; and the period spent between Hollywood and Paris, France-the city he ultimately chose to adopt as his home.
The publication describes the creation of some of his most famous pieces and the motifs-very often of females-that inspired the works. Man Ray’s life was marked by a succession of love affairs with famous and intriguing women, and this catalog dedicates several sections to this topic.
The book also deals with the themes permeating Man Ray’s work throughout the years, such as his passion for chess, the relationship between reality and illusion, and experimental photography and film. Comparisons are also made with the works of some of the most important artists of the twentieth century, such as Pablo Picasso, Marcel Duchamp, Constantin Brancusi, Jean Arp, and Francis Picabia.

• Sales Rank: #441301 in Books
• Published on: 2011-09-20
• Released on: 2011-09-20
• Original language: English
• Number of items: 1
• Dimensions: 11.30" h x 1.50" w x 9.00" l, 3.87 pounds
• Binding: Hardcover
• 330 pages

About the Author
Guido Comis is an art critic and an independent curator. Marco Franciolli is director of Museo d’Arte, Lugano.

Most helpful customer reviews

2 of 3 people found the following review helpful.
Man Ray works
By Paolo_Monlam
This is the catalogue of the wonderful exhibition held in Lugano, Switzerland, in 2011. Interesting and gratifying reading and viewing.
It's surely worth buying.

2 of 4 people found the following review helpful.
Five Stars
By J. Hill
Love Man Ray, and he was an American, changed art. More revolutionary than Andy Warhol. Great service, Thank You

0 of 1 people found the following review helpful.
One of my favourite Photographers! Excellent Book
By Filomena Daleandro
Gorgeous Photography! Very stimulating and inspiring! One of my favourite Photographers! Excellent Book!!!

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[S263.Ebook] Get Free Ebook Clinical Nursing Skills and Techniques, 8th Edition, by Anne Griffin Perry, Patricia A. Potter, Wendy Ostendorf

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Known for its clear, comprehensive coverage of over 200 evidence-based skills, Clinical Nursing Skills & Techniques is today’s leading nursing skills reference. It features nearly 1,000 full-color photographs and drawings, a nursing process framework, step-by-step instructions with rationales, and a focus on critical thinking and evidence-based practice. This edition includes new coverage of patient-centered care and safety guidelines, an emphasis on QSEN core competencies, and links to valuable online resources. Written by the trusted author team of Anne Griffin Perry and Patricia A. Potter, and now joined by new author Wendy Ostendorf, this reference helps you perform nursing skills with confidence.

• Coverage of QSEN core competencies includes delegation and collaboration, guidelines for reporting and recording, and pediatric, geriatric, home care, and teaching considerations.
• Unique! Using Evidence in Nursing Practice chapter

covers the entire process of conducting research, including collecting, evaluating, and applying evidence from published research.

Comprehensive coverage includes 212 basic, intermediate, and advanced nursing skills.

Clinical Decision Points within skills address key safety issues or possible skill modifications for specific patient needs.

Icons indicate video clips related to skills and procedures in the book and related lessons in Nursing Skills Online.

Rationales for each skill step explain why steps are performed in a specific way, including their clinical significance and benefit, and incorporate the latest research findings.

The five-step nursing process provides a framework for the description of skills within overall client care.

Unique! Unexpected outcomes and related interventions alert you to what might go wrong and how to appropriately intervene.

Online checklists and video clips may be downloaded to mobile devices.

• NEW Patient-Centered Care sections address issues unique to people of specific cultural, ethnic, and demographic backgrounds ― a QSEN core competency.
• NEW Safety Guidelines sections cover the global recommendations on the safe execution of skill sets ― also a QSEN core competency.
• UPDATED Adverse Event Reporting (AER) procedural guideline

covers the correct response to Serious Event Reporting within the healthcare facility.

NEW! Safe Transfer to a Wheel Chair procedural guideline focuses on the safety aspect of this common maneuver.

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NEW! Caring for Patients with Multi-Drug Resistant Organisms (MDRO) and C. difficili skill covers this growing challenge to patient welfare and to healthcare providers.

• Sales Rank: #4976 in Books
• Brand: Brand: Mosby
• Published on: 2013-02-28
• Original language: English
• Number of items: 1
• Dimensions: 10.75" h x 8.50" w x 1.75" l, 5.36 pounds
• Binding: Paperback
• 1216 pages

Features

• Used Book in Good Condition

About the Author
Anne Griffin Perry, RN, EdD, FAAN, Professor and Associate Dean, School of Nursing, Southern Illinois University, Edwardsville, IL

Patricia A. Potter, RN, MSN, PhD, FAAN, Director of Research, Patient Care Services Barnes-Jewish Hospital St. Louis, MO

Most helpful customer reviews

7 of 8 people found the following review helpful.
Detailed instructions for each skill with rationales.
By Amy
Detailed instructions for each skill along with rationales. Great resource with pictures. They are also used in our hospital at each nurses station.

6 of 7 people found the following review helpful.
Clearly Best Practice.
By Jamie King
Best Practice standards. Clear, concise, well photographed. As an educator, I will be using this book as a reference and guide for nurses.

3 of 3 people found the following review helpful.
Amazing learning tool!!!
By Student nurse
Excellent! Easy to understand with step by step skills. Way cheaper than any other place I have researched! Love it!

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[M260.Ebook] Free PDF All God's Children Need Traveling Shoes, by Maya Angelou

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In 1962 the poet, musician, and performer Maya Angelou claimed another piece of her identity by moving to Ghana, joining a community of "Revolutionist Returnees" inspired by the promise of pan-Africanism. All God's Children Need Walking Shoes is her lyrical and acutely perceptive exploration of what it means to be an African American on the mother continent, where color no longer matters but where American-ness keeps asserting itself in ways both puzzling and heartbreaking. As it builds on the personal narrative of I Know Why the Caged Bird Sings and Gather Together in My Name, this book confirms Maya Angelou’s stature as one of the most gifted autobiographers of our time.

• Sales Rank: #75831 in Books
• Brand: Angelou, Maya
• Published on: 1991-06-04
• Released on: 1991-06-04
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .59" w x 5.16" l, .52 pounds
• Binding: Paperback
• 224 pages

Features

• All God's Children Need Traveling Shoes by Maya Angelou
• Maya Angelou
• African Americans
• Reflective Writing
• Lyrical, acutely perceptive writing

From Publishers Weekly
To read Angelou's book, the latest in a series of autobiographical works begun with I Know Why the Caged Bird Sings, without being moved would seem impossible. Here, this American poet, actress, civil rights activist and TV producer-director recalls her pilgrimage to Ghana in the early 1960s. Ostensibly, Angelou went there so that her son could study at the University of Ghanato put him (and herself) in touch with long-imagined ancestral roots. Sadly, she was disillusioned by the subtle rejection of native Ghanaians. Fighting this painful sense of not belonging, she plunged into activities; appearing in Genet's play The Blacks with black American performers, she went briefly to Berlin, where she underwent a searing experience dining in the home of a wealthy crypto-Nazi German. Other encounters, even the more pleasurable ones, hardly mitigate the homesickness and hurt underlying Angelou's poignant recall, which includes a meeting with Malcolm X and her visit to a village where, centuries ago, black men sold other black men, women and children to white slave traders. First serial to Essence.
Copyright 1986 Reed Business Information, Inc.

From School Library Journal
YA Angelou continues the candid chronicle of her life in this fifth volume of her autobiography which began with I Know Why the Caged Bird Sings (Random, 1970). In the early '60s, Angelou worked at the university in Ghana and became involved with the community of Africans and black Americans. Students of African history will find a wealth of information and penetrating impressions of the proud, optimistic new country. Students of American history will learn first-hand of the opinions and feelings of black Americans who, living through the racial crisis of the '60s, came to Africa in search of their historical, spiritual and psychological home. Maya's own journey is at the center of the narrative, however, and readers will appreciate the candor with which she relates her conflicts with some Ghanaians; her romance with an African Muslim; her trip to Germany, where she joins an American acting troupe and confronts her own prejudices; and her struggle to accept her son's manly independence. As in her previous memoirs, the poet's prose sings. Jackie Gropman, Fairfax County Public Library, Va.
Copyright 1986 Reed Business Information, Inc.

From Library Journal
The fifth volume of her compelling autobiography finds Angelou in Ghana, five years after its independence from Britain. Kwame Nkrumah is Ghana's beloved ruler, and there is a sense of pride in the new country. Angelou joins a group of black Americans who have come to Ghana to be part of the great experiment. The book details her experiences within that community and as a black American confronting complex feelings in Africa, the land from which her ancestors were sold into slaverypossibly by other tribes. Angelou also writes of her emotions as a mother watching her son Guy grow to manhood. Angelou's insight and honesty about herself, and the light she sheds on emerging Africa and the American black community, make for absorbing reading. Janet Boyarin Blundell, M . L . S . , Brookdale Community Coll., Lincroft, N.J.
Copyright 1986 Reed Business Information, Inc.

Most helpful customer reviews

31 of 34 people found the following review helpful.
African/African-American encounters
By Michael J. Mazza
"All God's Children Need Traveling Shoes" is an effective continuation of Maya Angelou's monumental, multi-volume autobiographical narrative. This installment begins in the early 1960s, with Maya and her son living in Africa. As a whole, this book is a fascinating meditation on the ties and disjunctions that exist between African-Americans and black Africans.
Maya reminisces about working for the University of Ghana, seeking employment as a journalist at the "Ghanaian Times," and beginning to pick up the Fanti language of Ghana. Particularly fascinating are her memories of the death of W.E.B. DuBois, the visit of Malcolm X to Africa, and her visit to Germany to perform in a production of Jean Genet's play "The Blacks." Angelou's book is both the vibrant record of an extraordinary woman, and an important portrait of Africa at a key era in its modern history.

15 of 16 people found the following review helpful.
Through Angelou's Eyes
By WILLIAM H FULLER
From purely a literary standpoint, I find ALL GOD'S CHILDREN NEED TRAVELING SHOES perhaps the best of Angelou's series of autobiographical works that I have encountered thus far. It is the fifth "installment," having been preceded by I KNOW WHY THE CAGED BIRD SINGS, GATHER TOGETHER IN MY NAME, SINGIN' AND SWINGIN' AND GETTIN' MERRY LIKE CHRISTMAS, and THE HEART OF A WOMAN. While I suppose that any of these could be read in isolation, to do so would be analogous to reading a single chapter from a full-length novel. One may enjoy the contents of that single chapter but will miss all the background material that explains how the characters reached that point in time and space as well as everything that follows to explain and wrap-up the story. For the same reasons, one really should read each of Angelou's books and in chronological order, too. Consequently, if one is examining reader reviews before purchasing ALL GOD'S CHILDREN, and if this is the first of Angelou's books being considered, please wait. Reading the others first will enhance significantly the reader's enjoyment of this one.

Pure autobiographies tend, in my experience, to be rather dull reading for the most part. Where is the excitement in a list of events and dates? That sort of dry recitation of historical facts is the reason that most of us were likely bored to somnambulance by our high school history textbooks. Happily, this is not at all that sort of autobiography. What one finds in Angelou's books is the world seen through her eyes and interpreted by her mind, and she carries with her the filters built strand by strand by her life experiences.

What "life experiences"? Being born Black into a legally, socially, culturally and thoroughly segregated country. Being abandoned by one's father. Being shipped across country by one's mother to be raised by an aging grandparent. Feeling the constant scorn and belittlement fostered by racial segregation. Bearing a child when one is still herself a child. Being duped by another into prostitution. Failing at an attempt at marriage. On the other hand, conversing with such figures as Martin Luther King and Malcolm X. Touring Europe as member of a musical cast. Living in Africa. Angelou's experiences, both negative and positive, were emotionally extreme, or at least significant, events, and they created interpretative filters that are quite different from those of essentially all of her readers. This difference is what makes her books captivating to read and worthy of her readers' consideration.

I suggest that the epitome of Angelou's skill as a prose author of the first five books I have mentioned above comes in the closing chapter of ALL GOD'S CHILDREN. Her encounter with the Ewe tribal women in the marketplace in Ghana's village of Keta is expressed in nearly supernatural terms. In the actual event, she is merely mistaken for another person, but, to Angelou, the encounter firmly establishes Africa as her spiritual homeland, the origin of her own ancestors who, generations earlier, were sold into slavery in a strange land across the ocean. The skill with which she describes her feelings at this encounter is one to which any writer might aspire.

I must admit to another aspect of Angelou's writing that I find almost annoying, however, and that is her repeated and continuous reference to the effects of slavery. If any evil exists in the universe, if sin seeks an embodiment, if a cause for all the misery in the contemporary world must be identified, Angelou finds it in slavery. Judging solely by the attitude revealed in these five books, one could conclude only that all Caucasians are blue-eyed devils, that they alone made possible the eternal and unforgivable sin of enslavement, that no redemption is possible and that racial integration is never achievable or even desirable. If there is such a concept as "original sin," it has nothing to do with a mythological Adam or Eve in a "garden of Eden" but rather with the insufferable conceit of Whites and the horror of slavery, most particularly slavery in the United States. To judge by the attitude that pervades these five books, one would think that Angelou was herself born into slavery, exploited economically and sexually by her White masters, and denigrated to the very edge of sanity. Not to excuse or to minimize in any way the physical and emotional pain of slavery, its immorality or absence of any ethical justification whatsoever, but "methinks the lady doth protest too much." She claims for herself an understanding of the debasement of slavery that her own history does not support. She assumes a mantle as spokesperson for long dead generations that she is not qualified to wear. To what extent historical slavery and racial prejudice may bear the blame for what were her own poor choices in life I am hardly qualified to say, yet I would caution the reader to bear in mind the fact that we are seeing events through the author's intellectual filters and that no one's filters are totally objective.

Having said that, I hurriedly add that my critical observation should in no way deter anyone from reading Angelou's books. On the contrary, while I may feel that she is at times presumptuous in assuming spokesperson status on the topics of slavery and contemporary racial bigotry, her perceptions provide many revelations for her readers and are worth noting. On now to the next book of this series, A SONG FLUNG UP TO HEAVEN.

11 of 11 people found the following review helpful.
Fascinating insights about Maya Angelou and Afro-Americans
By A Customer
In 1962, Maya Angelou went to Ghana with her 17-year son. "All God's Children Need Travelling Shoes" tells the story of her personal journey to understand herself as a black American. This book provides fascinating insights about Maya Angelou in her early years and about Afro-American culture in general. In rich language, she provides both historical snapshots and compelling stories about Ghana's gentle people, herself, and the diaspora that brought black people to America.

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